Hers is a singular itinerary: Amandine Beyer, a radiant icon of the baroque violin, began her career playing a romantic repertoire on modern instruments while writing her dissertation on Stockhausen. Only then did she turn to studying with masters of the baroque an putting together ensembles with unusual names: L’Assemblée des honnestes curieux [The Covenant of the Honestly Curious], the Gli Incogniti [The Unknown], offred a memorable performance of at theThéâtre de la Ville. She is back, alone on this occasion, for a programme purely dedicated to Bach, with two partitas and one sonata.
Gérard Mannoni
BACH Partita for violin solo, in E major, BWV 1006; Sonata for violin solo, in A minor, BWV 1003; Partita for violin solo, in D minor, BWV 1004
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